HomeIntertainmentPrasanna Ramaswamy’s Kadhaiyalla Vaazhkkai mirrors life

Prasanna Ramaswamy’s Kadhaiyalla Vaazhkkai mirrors life

Kadhaiyalla Vaazhkkai, a theatrical adaptation of Imayam’s brief tales, was a stark portrayal of latest social points

Kadhaiyalla Vaazhkkai, a theatrical adaptation of Imayam’s brief tales, was a stark portrayal of latest social points

I had learn a curtain-raiser of Prasanna Ramaswamy’s newest bouquet of in style Tamil author Imayam’s tales — Kadhaiyalla Vaazhkkai. Even earlier than I watched the play, I knew her capacity to adapt the written phrase for the stage. Although identified for her non-linear narratives, the theatre director and documentary filmmaker says, this time she opted for the linear. It reveals the belief Prasanna has in Imayam’s phrases. Each are extraordinary creators, with a robust sense of politics and a uncommon inclusiveness. I lately watched the efficiency of the 4 brief tales. The temper darkened because the play moved from one story to the opposite. The final one significantly was gut-wrenching.

The training system

Provide, the primary story, is about our rapacious personal instructional establishments. Gomathi’s (Antony Janagi) twins are simply two years previous. The ‘gross sales lady’ (learn trainer) from Gnanalaya Matric Faculty gives every kind of freebies , from gold to land plots, if Gomathi seeks admission for her kids within the faculty. The lure is an excessive amount of for Gomathi and her husband (Prasanna Ram Kumar), who themselves are academics in a authorities faculty. They quickly put together to ship their kids to Gnanalaya. There are scenes that evoke laughter, however the story sends out a robust message in regards to the commodification of training.

A scene from Kadhi

Visible media ethics

The second, Manalurin Kadhai, is about how the tv media has change into pretend and flakey. If it’s important to churn out tales 24×7, you haven’t any different choice. Ganesan (Prasanna Ram Kumar), who involves Chennai with desires of doing one thing significant in life, turns into a tv reporter, and assumes the title Sri Sri. He visits totally different cities each week in quest of sensational tales. When he goes to Manalur, he asks his pal Ramu, who lives there, to present him some leads. However Ramu can’t consider any. Sri Sri then places collectively a number of inventory photographs and makes up a narrative by becoming in some folks and occasions. Ramu is nervous that the residents of the city will object to this imagined story. Quite the opposite, he finds folks crowding across the tv crew to get of their quote and face. “Did you see ‘Oru vaaram oru kathai’ final week? I’m there!” How can anybody resist the temptation of being seen on tv. However ultimately, Sri Sri realises the vacuousness of his tales.

On girls empowerment

Veedum Kadhavum, is about two girls. I’m usually requested, “Aren’t issues higher for ladies now.” Imayam and Prasanna inform us the truth. Of their fifties, one lady is a panchayat president, and the opposite, a trainer (performed by Smrithi Parameswar and Janaki Suresh). We might suppose they’re ‘empowered’. The president has not stepped inside her workplace after being elected as a result of all the pieces is dealt with by her husband, together with forging her signature. As for the trainer, her husband operates her ATM card. He simply leaves some cash for her on the desk when she wants. The vacancy, the desecration of their dignity got here by very effectively within the story. We’ve got not learnt to respect our girls but.

The darkish fact

The darkest and the final — Nanmaran Kottaikkathai. The bull belonging to Muthuraman wins the race and he faces the wrath of the indignant, higher caste villagers. Each he and the bull are killed. However his spouse, Selvamani, is pressured to confess, and signal on a paper that Muthuraman was gored to dying by the bull. To avoid wasting her kids from torture and humiliation, she decides to depart the village, however is unable to get TC from the varsity. Prasanna employs music and dance actions to nice impact on this story. Melodi Dorcas performs each Muthuraman and Selvamani exceedingly effectively.

All of the actors appeared to know what the tales demanded of them, and had been distinctive. For example, it was troublesome to consider that the grieving, indignant, and decided Selvamani was performed by the identical actor, who performed the Gnanalaya trainer. Even the costumes had a job to play. The backdrops, drawn and projected on the display, had been efficient, so had been the music, and lighting. Prasanna had two refrain actors, Raghavendra and Jenny, to mark the motion from one story to a different. Kadhaiyalla Vaazhkkai introduced alive the nuances in Imayam’s tales.

The author is a former choose of the Madras Excessive Court docket.

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